Electronic music composer – Professor
Strin[G]i(n)[Mi] [2ch, 2023] 6:10 The title plays with a compound expression, merging the words “String,” “in,” “Mi,” and “stringimi” (Italian for “hold me tight”). Depending on pronunciation, these words may take on different meanings. “String in Mi” might be interpreted as “strings tuned to the note E” (Mi in Italian) or “strings within me,” reflecting...Continue reading
Fratture nello spazio [2ch, 2019] 5:27 An exploration of fragmentation and discontinuity through a contrapuntal use of sound objects dispersed across polyphonic virtual spaces. This piece was created specifically for acousmonium systems.
Permanente e transitorio (extended version) [2ch, 2018] 10:00 In Edward Albee’s play “Zoo Story” the character Jerry says the following:“I am a permanent transient, and my home is the sickening rooming-houses on the West Side of New York City, which is the greatest city in the world. Amen.” The composition explores two seemingly opposing concepts:...Continue reading
Tecnomorfosi II – Contrasti [2ch, 2017] 6:05 The series of microcompositions “Tecnomorfosi” presents the author’s reflections on the perception of time within the sonic continuum. Tecnomorfosi II revolves around a long octave pedal between G♭1 (46.249 Hz) and G♭2 (92.499 Hz), produced by a processed tuba. Subsequently, sound interventions built around C3 (130.81 Hz), C♯3...
Tecnomorfosi I – VocalZ [2ch, 2016] 7:52 In the compositions of “Tecnomorfosi I” the author reflects on the perception of time within the sound continuum. The composition is an eclectic dialectic between sounds obtained by fragmenting and transforming the open and closed English masculine vowel “a” and numerous sound objects made from just five sounds...
Permanente e transitorio [2ch, 2015] 7:10 In Edward Albee’s play “Zoo Story” the character Jerry says the following:“I am a permanent transient, and my home is the sickening rooming-houses on the West Side of New York City, which is the greatest city in the world. Amen.” The composition explores two seemingly opposing concepts: permanence and...Continue reading
In bilico (binaural version) [4ch, 2009] 6:05 Winner of the 2010 National Arts Award in the “Electronic Music” category at the Conservatory of “Nicola Sala” in Benevento and finalist at the 8th International Competition “City of Udine” (2010).“In bilico” is a four-channel acousmatic work in which the composer proposes situations of great unstable tension, using...
Sounds coming from inside of… [2ch, 2004] 8:37 First premiered at the IMEB Bourges Festival in 2004, this work explores the experimental creation of transitions and transformations between a South American folk music loop and electroacoustic sound objects.