Mixed music (instruments with
electroacoustic)
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Violitronika for viola and electroacoustic [2ch, 2012] 8:10 Player: M. Inés Samaniego request the score to: gustavoadolfo.delgado@cons.bz.it The electroacoustic music has a role of a builder, carrier and host of structure and matter whom retracts through the violin into a dialogue of formal evolution. The electroacoustic music becomes the intruder that changes, hides, reveals behind,…
Violitronika for viola and electroacoustic [2ch, 2012] 8:10 Player: M. Inés Samaniego request the score to: gustavoadolfo.delgado@cons.bz.it The electroacoustic music has a role of a builder, carrier and host of structure and matter whom retracts through the violin into a dialogue of formal evolution. The electroacoustic music becomes the intruder that changes, hides, reveals behind,…
Violitronika for viola and electroacoustic [2ch, 2012] 8:10 Player: M. Inés Samaniego request the score to: gustavoadolfo.delgado@cons.bz.it The electroacoustic music has a role of a builder, carrier and host of structure and matter whom retracts through the violin into a dialogue of formal evolution. The electroacoustic music becomes the intruder that changes, hides, reveals behind,…
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Di_stanze for bass clarinet and electroacoustic [2ch, 2011] 7:07 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of…
Di_stanze for bass clarinet and electroacoustic [2ch, 2011] 7:07 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of…
Di_stanze for bass clarinet and electroacoustic [2ch, 2011] 7:07 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of…
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Preludio for viola and electronics [2ch, 2009] 6:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player:
Preludio for viola and electronics [2ch, 2009] 6:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player:
Preludio for viola and electronics [2ch, 2009] 6:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player:
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Di_stanze baritone sax and electronics [2ch, 2011] 7:07 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of continuous and dynamic…
Di_stanze baritone sax and electronics [2ch, 2011] 7:07 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of continuous and dynamic…
Di_stanze baritone sax and electronics [2ch, 2011] 7:07 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of continuous and dynamic…
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SaxOut for sax and electroacoustic [2ch, 2010] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
SaxOut for sax and electroacoustic [2ch, 2010] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
SaxOut for sax and electroacoustic [2ch, 2010] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
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MaxOut! Bb clarinet and electronics [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
MaxOut! Bb clarinet and electronics [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
MaxOut! Bb clarinet and electronics [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
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MaxOut! contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
MaxOut! contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
MaxOut! contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
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MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…
MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…
MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…
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