The series of microcompositions “Tecnomorfosi” presents the author’s reflections on the perception of time within the sonic continuum. Tecnomorfosi II revolves around a long octave pedal between G♭1 (46.249 Hz) and G♭2 (92.499 Hz), produced by a processed tuba. Subsequently, sound interventions built around C3 (130.81 Hz), C♯3 (138.59 Hz), and E3 (164.81 Hz) are added, obtained through FM synthesis and processing. The virtual sound geography of the materials was designed using the ATK for Reaper.