Malinconimotria

Malinconimotria [2ch, 2023] 3:11 The audiovisual work Malinconimotria was conceived using sound material from children’s toys. It is a nostalgic journey through the paradoxes of memories either lived or perhaps never experienced. Even the toys miss us.

Strin[G]i(n)[Mi]

Strin[G]i(n)[Mi] [2ch, 2023] 6:10 The title plays with a compound expression, merging the words “String,” “in,” “Mi,” and “stringimi” (Italian for “hold me tight”). Depending on pronunciation, these words may take on different meanings. “String in Mi” might be interpreted as “strings tuned to the note E” (Mi in Italian) or “strings within me,” reflecting...Continue reading

Fratture nello spazio

Fratture nello spazio [2ch, 2019] 5:27 An exploration of fragmentation and discontinuity through a contrapuntal use of sound objects dispersed across polyphonic virtual spaces. This piece was created specifically for acousmonium systems.

Tecnomorfosi II – Contrasti

Tecnomorfosi II – Contrasti [2ch, 2017] 6:05 The series of microcompositions “Tecnomorfosi” presents the author’s reflections on the perception of time within the sonic continuum. Tecnomorfosi II revolves around a long octave pedal between G♭1 (46.249 Hz) and G♭2 (92.499 Hz), produced by a processed tuba. Subsequently, sound interventions built around C3 (130.81 Hz), C♯3...

Tecnomorfosi I – VocalZ

Tecnomorfosi I – VocalZ [2ch, 2016] 7:52 In the compositions of “Tecnomorfosi I” the author reflects on the perception of time within the sound continuum. The composition is an eclectic dialectic between sounds obtained by fragmenting and transforming the open and closed English masculine vowel “a” and numerous sound objects made from just five sounds...

Permante e Transitorio

Permanente e transitorio [2ch, 2015] 7:10 In Edward Albee’s play “Zoo Story” the character Jerry says the following:“I am a permanent transient, and my home is the sickening rooming-houses on the West Side of New York City, which is the greatest city in the world. Amen.” The composition explores two seemingly opposing concepts: permanence and...Continue reading

ViolitroniKa for viola and electronics

Violitronika for viola and electroacoustic [2ch, 2012] 8:10 Player: M. Inés Samaniego request the score to: gustavoadolfo.delgado@cons.bz.it The electroacoustic music has a role of a builder, carrier and host of structure and matter whom retracts through the violin into a dialogue of formal evolution. The electroacoustic music becomes the intruder that changes, hides, reveals behind,...Continue reading

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