Confluenze III for violin and fixed electroacoustic [2ch, 2027] 10:00 request the score to: gustavoadolfo.delgado@cons.bz.it
Autore: gusadel
Confluenze I for flute and fixed electroacoustic
Confluenze II for flute and fixed electroacoustic [2ch, 2026] 7:00 request the score to: gustavoadolfo.delgado@cons.bz.it
StrinGi[Mi]
StrinGi[Mi] [2ch, 2026] 9:05 The composition proposes, from the very beginning, a breathless and emotionally intense journey, through refined and sophisticated interweavings of spectral transformations and manipulations of string instruments—both synthetic and sampled—primarily articulated around the pitch “E”. The title presents a composite expression that suggests multiple meanings, including the Italian word stringimi (“hold me...Continue reading
Di_stanze for baritone sax and electronics
Di_stanze for baritone sax and electronics [2ch, 2025] 7:07 Player: Pepito Ros request the score to: gustavoadolfo.delgado@cons.bz.it Di_stanze is a composition in which the author sought to explore various relationships of segregation and attraction between gestures generated by the clarinet and those of the electronics. The phrases were crafted based on an intuitive criterion of...Continue reading
MaxOut! for Bb clarinet and electronics
MaxOut! for Bb clarinet and electronics [2ch, 2025] 5:00 Player: Marcelo Gonzalez request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming...Continue reading
Confluenze I for two flutes and electronics
Confluenze I for two flutes and electroacoustic [2ch, 2025] 5:25 request the score to: gustavoadolfo.delgado@cons.bz.it
Malinconimotria
Malinconimotria [2ch, 2023] 3:11 The audiovisual work Malinconimotria was conceived using sound material from children’s toys. It is a nostalgic journey through the paradoxes of memories either lived or perhaps never experienced. Even the toys miss us.
Multiforme
Multiforme [2ch, 2023] 6:10 Vibration, seen as the fundamental element of continuous motion, becomes a pulse or guiding tempo on which the composition is built. This approach enables a unique perception of time, giving the sensation of accompanying the material along a path and of being part of a developing amalgamation that explores from microsound...