Vibration, seen as the fundamental element of continuous motion, becomes a pulse or guiding tempo on which the composition is built. This approach enables a unique perception of time, giving the sensation of accompanying the material along a path and of being part of a developing amalgamation that explores from microsound to microform, gradually reaching both meso and macroform.

Microsounds thus become a structural base for creating material of higher hierarchy, which enhances the qualities and personality of the string instruments amidst numerous transformations. In some key moments, the composition returns to tonality, as it does not seek to avoid the close connection with harmonics. Thus, moments arise when the fusion and fission processes of spectral components turn into cadences, only to be absorbed back into fields of greater perceptual complexity.