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SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…

SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…

SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…
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MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…
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MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…
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