Gustavo Delgado. Electroacocustic music composer.

  • SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…

    SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…

    SaxOut! for sax and electroacoustic [2ch, 2011] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from…

  • MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

    MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

    MaxOut! for contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Szilárd Banes request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

  • MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

    MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

    MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming…

  • Tres lados 2002 for oboe viola and electroacoustic [2ch, 2002] 7:00 request the score to: gustavoadolfo.delgado@cons.bz.it

    Tres lados 2002 for oboe viola and electroacoustic [2ch, 2002] 7:00 request the score to: gustavoadolfo.delgado@cons.bz.it

    Tres lados 2002 for oboe viola and electroacoustic [2ch, 2002] 7:00 request the score to: gustavoadolfo.delgado@cons.bz.it

  • Profunda obsesión for piano and electroacoustic [2ch, 2001] 6:00 Player: Francesco Prode request the score to: gustavoadolfo.delgado@cons.bz.it Player: Erik Zinco & Florencia Claros

    Profunda obsesión for piano and electroacoustic [2ch, 2001] 6:00 Player: Francesco Prode request the score to: gustavoadolfo.delgado@cons.bz.it Player: Erik Zinco & Florencia Claros

    Profunda obsesión for piano and electroacoustic [2ch, 2001] 6:00 Player: Francesco Prode request the score to: gustavoadolfo.delgado@cons.bz.it Player: Erik Zinco & Florencia Claros

  • Perdido en un circuito abierto for piano and electroacoustic [2ch, 1996] 1:00 Player: none request the score to: gustavoadolfo.delgado@cons.bz.it Player: none

    Perdido en un circuito abierto for piano and electroacoustic [2ch, 1996] 1:00 Player: none request the score to: gustavoadolfo.delgado@cons.bz.it Player: none

    Perdido en un circuito abierto for piano and electroacoustic [2ch, 1996] 1:00 Player: none request the score to: gustavoadolfo.delgado@cons.bz.it Player: none

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