Violitronika for viola and electroacoustic [2ch, 2012] 8:10 Player: M. Inés Samaniego request the score to: gustavoadolfo.delgado@cons.bz.it The electroacoustic music has a role of a builder, carrier and host of structure and matter whom retracts through the violin into a dialogue of formal evolution. The electroacoustic music becomes the intruder that changes, hides, reveals behind,...Continue reading
Tag: Solo instruments and electronic music
Preludio for viola and electronics
Preludio for viola and electronics [2ch, 2009] 6:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player:
SaxOut! sax and electronics
SaxOut for sax and electroacoustic [2ch, 2010] 5:00 Player: Enzo Filippetti request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from...Continue reading
MaxOut! Bb clarinet and electronics
MaxOut! Bb clarinet and electronics [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from...Continue reading
MaxOut! contrabass clarinet and electroacoustic
MaxOut! contrabass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming from...Continue reading
MaxOut bass clarinet and electroacoustic
MaxOut for bass clarinet and electroacoustic [2ch, 2010] 5:00 Player: Massimo Munari request the score to: gustavoadolfo.delgado@cons.bz.it This composition is based on an intuitive idea of rotation around reference elements. Once better defined, this idea has been used in various ways to process the materials present in the electronic part, which interact with those coming...Continue reading
Tres lados 2002 for oboe viola and electronics
Tres lados 2002 for oboe viola and electronics [2ch, 2002] 7:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player:
Profunda obsesión for piano and electronics
Profunda obsesión for piano and electronics [2ch, 2001] 6:00 Player: request the score to: gustavoadolfo.delgado@cons.bz.it Player: